Tuesday, 31 December 2013

Experiment on discovering the space beyond

I took this kukri knife to my room as I wanted to use it for my project. I had just got into my room; I put my coat on the chair next to a mirror. I picked up the kukri knife, started slashing the air to try-out and measure the heavy weight of such a Knife as I was looking  at my reflection in the mirror, accidentally I slashed my coat leaving a big slash cut on the back.


I had successfully experimented Lucio Fontana's concept on discovering the space beyond the surface that is visible, in this case the visible surface was the dark violet fabric of the coat and the space discovered is the white cotton that lies beyond the visible surface.



The kukri knife was used by my granddad in a war. 
He was in Gurkha regiment at the time when this photo was taken. And the Kukri knife above was used by him.




Here is a photograph of my Granddad in 1962.

I have chosen this particular object for my project because Lucio Fontana have influenced me to explore ideas by experimenting using sharp objects such as this Kukri knife.















Lucio Fontana
Spatial concept, Waiting (1968)

Lucio Fontana  has introduced elements of time and spaces into art by slashing the canvas with a razor blade.
Fontana literally cut between the space occupied by the viewer, through the surface of the canvas, to the space that lies beyond.
Fontana saw this as meaningful experiment of infinity, and later claimed ‘I have created an infinite dimension’.

I figured out that my Granddad using the sharp Knife and Lucio Fontana publishing the Spatial Concept was around the same period of time.
I felt that this had a strong personal resonance for me and this fired me on...

Tuesday, 10 December 2013

Experiment of discovering a new space beyond a cut



Discovered a new space that lies beyond the cut.

Influence Artist: Lucio Fontana
Like Fontana, I have discovered a new space by slashing the visible material.

Thursday, 24 October 2013

Joseph Mallord William Turner And Antoni Tapies Analysis

Joseph Mallord William Turner - 'Rain Steam Speed' (1844) Oil on canvas

I have chosen this painting Rain Steam Speed painted by Joseph Mallord William Turner.
As Turner’s said "The sun is God" just before he passed away, I can see that he has used mostly the sun colour in this piece of work. This illustrates that Turner had traces and visions of sun god in his mind before he passed away. A steam train is coming towards the viewer at a speed while the rain is hitting the train.


The scene is fairly identifiable as Maidenhead Railway Bridge across the Thames between Taplow and Maidenhead near the area where Turner lived in his childhood with his maternal uncle.


Joseph Mallord William Turner’s Life and Career

Joseph Mallord William Turner’s date of birth is unknown but he claimed that he was born on April 23, 1775 in Covent Garden, London and died on December 19, 1851 in Cheyne Walk. He was a British Romantic landscape painter, water-colourist, and printmaker. Turner was considered a controversial figure in his day, but is now regarded as the artist who elevated landscape painting to an eminence rivaling history painting. Turner is also one of the greatest masters of British watercolour landscape painting. He is commonly known as "the painter of light" and his work is regarded as a Romantic preface to Impressionism. Some of his works also are cited as examples of Abstract Art.
Turner’s father, William Turner was a barber and wig maker and Turner’s mother; Mary Marshall came from a family of butchers. His younger sister, Mary Ann, was born in September 1778 but died aged four in August 1783.
Turner traveled widely in Europe, starting with France and Switzerland in 1802 and studying in the Louvre in Paris in the same year. He made many visits to Venice. On a visit to Lyme Regis in Dorset he painted a stormy scene now it is in the Cincinnati Art Museum.


As Turner grew older, he became more eccentric. He had few close friends except for his father, who lived with him for 30 years and worked as his studio assistant. His father's death in 1829 had a profound effect, and thereafter he was subject to bouts of depression. He never married but had a relationship with an older widow, Sarah Danby.









Artist: Antoni Tapies
Title: Journal (Galfetti 166)' (1968)

This piece looks quite negative especially with the big cross in the middle and the colours used black and red. The red paint splattered looks like blood and the black cross next to it emphases death or kill.
The paper looks quite old and has a lot of texts which links with the title of the piece journal.




Antoni Tapies’s Life and Career


Antoni Tapies was born on 13 December 1923 in Barcelona and died on 6 February 2012. Tapies was a Catalan painter, sculptor and art theorist, who became one of the most famous European artists of his generation. Tapies’s father was a lawyer and Catalan nationalist who served briefly with the Republican government.
At the age of 17, Tapies suffered a near-fatal heart attack caused by tuberculosis. He spent two years as a convalescent in the mountains, reading widely and pursuing an interest in art that had already expressed itself when he was in his early teens.

Tapies had painted portraits in the style of van Gogh and Picasso. But then he turned to the abstract painting and developed his own style. He wore paint and other materials thick and partially scratched off. By alternating application of paint and scraping out the surfaces gives a look like old walls. All this may relate strongly to the character of the Spanish countryside.


Tapies is widely considered to be the most important post-war Spanish artist and his work has achieved international praise. Later he produced heavy clay sculptures of everyday objects such as baths and chairs.